Fiske Fulldome Film Festival – Award Winners

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The Fiske Fulldome Festival finished tonight with their Awards Night.  It has been a fantastic festival and Thor and the team at Fiske have done a magnificent job.

Five awards were given out and they went to:

Best of Show

Winner:           We are Stars, NSC Creative
Runner Up:    Habitat Earth, California Academy of Sciences

Best Photography

Winner:         Space School, Oceanic Research Group Inc

Best Short

Winner:          Samskara, FulldomeLab
Runner Up:   LoVR, Lumiere

Best Music

Winner:         We Are Stars, NSC Creative
Runner Up:   Starlight, Melbourne Planetarium

People’s Choice

Winner:          Bella Gaia, Remedy Arts, Kenji Williams
Runner Up:   Dark Universe, American Museum of Natural History

Congratulations to all of the winners!

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The Charles Hayden Planetarium

 

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After attending the IPS Council meeting in Montreal, I took the opportunity to visit the Charles Hayden Planetarium at the Museum of Science (MOS) in Boston.  This was a particularly interesting visit for me, the Charles Hayden Planetarium is of similar size to the Melbourne Planetarium, attached to a Science Museum, and they produce their own shows.

I was very keen to meet with their Science Visualizer, Jason Fletcher, who is one of the four animators that work on their shows.  Jason has been at the planetarium and is a great advocate for sharing his production knowledge.  His Fulldome Blog (listed in the sidebar) is an excellent resource for anyone producing fulldome content.  It was great to meet Jason and talk production with someone who understands all of its complexities and challenges.

The team at the Charles Hayden Planetarium are great supporters of student production, and for the last few years have worked with students from the Massachusetts College of Art and Design.  The Melbourne Planetarium screened their production Sentient at the 2014 Melbourne International Film Festival: MassArts

Jason showed me some of the new work by the students and I was very impressed to see they are now working in 4K resolution.

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From Dream to Discovery is the latest fulldome production from MOS, which was screened at the APS conference back in February.  Jason showed me quite a number of their production tests, in particular the live action sequences which they captured with a 3d printed 10 camera GoPro rig.  I was impressed to see how well they seamlessly integrated the live action footage with their 3D animation.

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The Charles Hayden Planetarium has a 57 foot dome with 209 seats in a concentric configuration.  Interestingly just across the hallway is an Omnimax dome, which is run by a completely separate department at MOS.   While the Omnimax focuses on natural history and earth sciences, they leave all the astronomy to the experts at the Planetarium.  It makes for a great synergy.

 

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Rio Tinto Alcan Planetarium

Rio Tinto 01The Rio Tinto Alcan Planetarium in Montreal is an architectural delight. Completed in 2013 at a cost of $48 million dollars, it includes two 18 metre domes, a café as well as an exhibition space.

It is located in the Espace pour la Vie (Space for Life) next to the Montreal Olympic Stadium.  The Space for Life also includes the Biodome, Botanical Gardens and Insectarium.

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Beautifully designed on the outside, it is also looks beautiful on the inside.  Throughout the building the architects make great use of contrasting materials, wood, metal and stone.  The use of light and dark materials intentionally references the contrast between night and day.

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One of the domes has no seating, and simply makes use of a mass of bean bags in the middle of the room.  For less agile people they have also provided some seating at the edge of the dome. The second dome has concentric seating and can accommodate 198 people.

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Interestingly, an audience will usually see a show in the first dome, and when that has finished they will see another show in the second dome.  We saw ‘Dark Universe’ in the first dome, and then this was followed by a realtime show on Pluto in the second dome.

The planetarium, alternates two programs.  Their scientific program (as described above) as well as an artistic program, which includes  ‘Vertiges- Once upon a time’, and ‘Tempo – The Celestial Dance of Time’.  Unfortunately, I did not manage to see this second program.

The Rio Tinto Alcan Planetarium is a beautiful modern facility, and it is fantastic to see how inspiring good architecture can make a space so inviting.

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A visit to SAT

sat exterior

While in Montreal, I had the opportunity to visit the Société des arts technologiques (SAT). SAT is an arts collective that was founded in 1996. It is part self funded and part government funded.

I was fortunate to meet up with Louis-Philippe, their Head of Immersion, who took me on a tour of the facility along with Monika and Maciej from the Warsaw Planetarium. Having shown a number of SAT productions at the Melbourne Film Festival, this was a great opportunity to finally meet him in person. Louis-Philippe kindly showed us around their production facilities.

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Monika Maciej and LP

SAT moved to their current building a number of years ago and took over the ground floor. Later they took over the second floor, and finally four years ago the added another floor to the building and built their own 18 metre dome, the Satoshpere, on top. Not stopping there they also added a rooftop restaurant and bar.

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The SAT dome is quite unique. It can be configured to be 180 degrees, 210 degrees, or even 230 degrees, simply by adding and removing panels. Designed as an arts space, it is very dynamic. The sound system is also unique containing some 156 separate speakers and capable of handling up to 39 separate audio channels. The dome has eight Christie projectors and has a resolution of 3K. But the biggest surprise, is that they never have to slice their shows! They can play back 3K rendered shows on the system. However they are trying to move more and more to using realtime systems and game engines such as Touch Designer and Unity. In real time their resolution is limited to 2K.

Monika, Maciej and I were also fortunate enough to be there on one of the nights they have VJ parties in the dome. That night they had over 800 people come along. The sound system is incredible and the atmosphere electric. It was a brilliant night! This is an amazing facility. And I cannot wait to see where they go to next!

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IPS2018 winner announced

As you know their were four sites, bidding to host the 2018 IPS Conference:

Rio de Janeiro, Brazil
Edmonton, Canada
Toulouse, France
Arlington, Texas, USA

After a hotly contested bidding process I am able to announce the winner is Toulouse, France. Congratulations to Marc Moutin and all his team!

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A Visit to the Hayden Planetarium

On my way to attend the IPS Council meeting in Montreal, I took the opportunity to visit the Hayden Planetarium in New York at the American Museum of Natural History.

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The American Museum of Natural History is massive, one of the largest in the world.  It’s earliest buildings date  back to 1874, and it is very much a classic museum with many beautiful dioramas and galleries full of dinosaurs.

The Hayden Planetarium was originally built in 1935, but completely replaced by a new facility in 2000.  And it is icon of modern architecture.  An enormous sphere that appears to float inside a glass cube six stories high.

The planetarium shows are run highly efficiently, every half an hour.  The 21m dome seats over 400 people, and they can move them in an out very quickly.

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They are currently running ‘Dark Universe’, which I had already seen. However I had never seen it in a planetarium with concentric seating. It was quite interesting to see how this version worked in the dome. The projection system has very good contrast and very good blacks, so images of galaxies and the night sky looked great. However, I did find the images lacked brightness and colour. Fortunately, I have heard they are about to undergo a major upgrade of their system.

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One of the first shows I saw at a planetarium was AMNH’s ‘The Search for Life’ narrated by Harrison Ford. This show really inspired me and opened my eyes to how immersive this medium could be. Since that time I had always wanted to visit the Hayden Planetarium, and I am glad that I have finally had the opportunity. The American Museum of Natural History is a magnificent museum, and the Hayden Planetarium an architectural wonder. A definite highlight of any visit to New York.

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Announcing APS 2016 – Wellington, New Zealand

Space Place, Wellington, New Zealand. Photo by Mark Gee

Space Place, Wellington, New Zealand. Photo by Mark Gee

I am very pleased to announce that the 2016 APS Conference will be taking place at the Space Place at Carter Observatory in Wellington, New Zealand on the 4th & 5th of April.  This is exciting as it will be the first time the APS conference has been held in Wellington.  I for one, have never managed to visit there and cannot wait to go.

More details will come in the following months, but for now, please put the dates into your calendar.

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Science, Art and Beyond!

These past 6 months have been exciting for the Ballarat Observatory. Earlier in the year, one of our team members put in a proposal for a light installation in Ballarat during the Ballarat Laneways Festivak, which was accepted! Being the International Year of Light, the aim was to combine science and art by creating an interactive, visually immersive and educational piece. The result of this endeavor after months of reducing the data, building the panels and electronics, is an installation titled – ‘Looking Far, Looking Back…Revealing the Cosmos’.

The installation uses real all-sky redshift data to plot the position of galaxies in galactic coordinates (essentially, the Milky Way becomes the coordinate reference frame). Each panel represents the a certain stage in the evolution of the Universe (or galaxies at a particular redshift). The brightness of the panels can be controlled by the viewer, and the color of the panels changes to red, representing the fact that the light (spectrum) from the most distant objects is shifted towards the red end of the Electromagnetic Spectrum.

The viewer stands at a control panel and looks out through the Milky Way, looking further back in space and time! The installation, also has an information panel that explains everything from the concept of redshift to the electromagnetic spectrum and how astronomers are able to detect light from the earliest epochs of the Universe. Most people are accustomed to the beautiful astronomical images of galaxies and nebulae, however, few appreciate the raw astronomical data astronomers work with and the “beauty” it can have.

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As has been mentioned in other posts, the New Horizons flyby of the Pluto-Charon system was a major event and we wanted the public to appreciate the importance of this historical event. Leading up to the event, our school holiday program was titled “Hello! Pluto”, we held daily lectures, activities and Q&A sessions. In addition we also produced limited edition mugs marking the event. On the night of the flyby, we held a special lecture about how Pluto was discovered, the stories about the colorful characters involved and ultimately the exploration of this mysterious solar system body (and its partner).

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In August, as part of the Ballarat International Foto Biennale, we will be holding an astrophotography exhibition – Celestial Kaleidoscope, showcasing the work of national and international astrophotographers.

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In addition, we have forged a partnership with the Slow Music Festival, to hold an overnight event, celebrating science of sound through music at the Ballarat Observatory – Space is the Place is the theme for the night.

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Linking Brisbane Planetarium to the World

The evening of Tuesday, 14 July 2015, was a first for the Sir Thomas Brisbane Planetarium and a handful of others with a live linkup orchestrated by the American Museum of Natural History in New York for coverage and interaction during the flyby of Pluto by NASA’s New Horizons spacecraft. (The image below shows preparations in the Brisbane Planetarium for the linkup.)

Show start pano

The linkup went for two hours from 9 pm Brisbane time. Active participants with full two-way capability and Q&A ability via the control set up at Johns Hopkins University Applied Physics Laboratory Mission Control/Press Center included:

New York (in the AMNH’s IMAX theatre)
Chicago’s Adler Planetarium
Hamburg, Germany
Linkoping, Sweden
Balzano, Italy
Accra, Ghana
Brisbane, Australia

A full rehearsal involved participants on Monday night to iron out any issues and we had to take two feeds – one showing crosses to each location using Google Hangouts and the other using OpenSpace with full simulation second-by-second controlled from the US. Other facilities with view/listen only and submitting questions by Twitter included:

Houston, USA
Monmouth, NJ, USA
Singapore
Tokyo
Buenos Aires, Argentina

In New York, there was a panel with Neil deGrasse Tyson, Director of the Hayden Planetarium; Carter Emmart, director of AMNH/Hayden Planetarium programs and the one who really thought up the concept; and Denton Ebel, curator of AMNH’s meteorite collection.

Pluto Brisbane 01

The image above was taken as Brisbane prepared for one of my crosses to APL and mission team members for a Q&A. My technical staff member Greg Slaats at left was key to the success of Brisbane being one of the smoothest in the linkups during the two hours.

Pluto Brisbane 02

In Brisbane, we did the presentation in a uni-directional format, which meant we could not use all of our seating. The crosses to other places was projected down above the springline, while the simulation showing exactly what was happening and instruments in use utilised one of our fulldome zenith projectors with the mask removed.

It was a great evening with staff coming in their own time, including Jean Falconer who is still working at the Brisbane Planetarium after 27 years and who was born in January 1930, the same month that Clyde Tombaugh took his Pluto discovery images. (Images taken in the dome by Duncan Waldron.)

During the evening, we also asked some quiz questions relating to Pluto with prizes of miniature New Horizons spacecraft we had 3D printed for correct answers.

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Recorded coverage of the event can be seen at https://youtu.be/oEFz5JxLd8w

Mark Rigby
Curator, Sir Thomas Brisbane Planetarium
(Brisbane City Council)

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MIFF returns to the Melbourne Planetarium

The Melbourne International Film Festival is again returning to the Melbourne Planetarium.  This year the planetarium will present two special fulldome showcases.

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Showcase One – Saturday 1st and Saturday 8th August at 7pm

Musica: Why is the Universe Beautiful?, from Japan, begins with a forest, a flower, a sunset, the vast stadium of stars… A girl is mesmerised by the beauty of nature and asks, “Why do I sense beauty?” A quiet pianist who calls himself Musica shows her the common elements hiding in both music and nature. And so begins the endless conversation she has with Musica… and the Universe.

Bella Gaia, meanwhile, offers a poetic vision of Earth from space. Inspired by astronauts who spoke of the life-changing power of seeing the Earth from space, filmmaker and composer Kenji Williams created Bella Gaia to simulate the transformation called the Overview Effect. Working closely with NASA’s scientific visualisation studio, the award-winning film successfully simulates space flight, taking the audience on a spectacular journey around planet Earth.

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Showcase Two – Saturday 1st and Saturday 8th August at 9pm

The Submergence Trilogy includes three fulldome dance films: The Beautiful, an immersive metaphysical journey through the landscapes of South Wales; The Sublime, a dynamic fulldome dance film featuring site-specific live parkour and breakdance sequences, shot within the natural & urban spaces of Wales; and Pal o’ My Heart, the story of two Irish boys, set during the Easter Rising, and filmed on location on the remote Pembrokeshire coastline with the two dancers, Daniel Connor and Murilo Leite D’Imperio, performing in and out of the water.

Ancient Skies – Europe’s Neolithic civilisations, far from being “savages”, were highly intelligent, capable of extraordinarily skilled feats of engineering and astronomy. Ancient Skies explores this fascinating subject and the enduring popularity of the legacy of our ancestors.

For ticket enquiries go to the MIFF website:
http://miff.com.au/program/film/fulldome-showcase-1

 http://miff.com.au/program/film/fulldome-showcase-2

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